This kinda helps the the delay sit quite nicely behind the vocals in the mix. “ H-Delay is an absolute gem for drums, synths and vocals. H-Delay by Waves. Hi! We want reflections that arrive quickly, adding density and thickness to the vocal. They call it a hybrid delay plugin. Blend the wet/dry knob until you achieve subtle thickness and depth to the snare. Definitely a staple for producers and well worth a spot in your plugins folder. Step 1: Send your vocal to a delay with a bus or aux send. To avoid muddying up the mix, try to have the decay of the effects fade away just before the next phrase. H-Delay is a lot of fun. I use H-Delay on a snare instead of reverb. It’s got a nice gritty sound to it, and is equipped with a modulation section that can create warbled and weird repeats that I sometimes use subtly on lead vocals, but gets more action on stacked backup vocals. i am trying to use the waves H delay on a couple single lyric words in pro tools, i have the half bar delay on a bus track and am feeding the audio into the aux by automation but when i feed in the audio for the one word i want delayed, it has all the previous lyrics also flooding in. But especially for Vocals, I’d sometimes add an instance of Renaissance Compressor right after the H-Delay, with the main vocal track as the side-chain input. Waves H-Delay on a separate aux send is set to a slap delay. Instead of a mono delay or an echo we're using a stereo delay with two different settings on either side. I call it a reliable source of lots of fun in the studio. Adding a subtle slap delay to the vocal can help add interest in almost any reverb setting, and could be nice when you’re going for an intimate sound. Waves H-Delay. Check it out on the Waves site. Notice the Waves H-Delay allows for delay based on the bpm. The H-Delay comes from Waves’ Hybrid line of products and has the flexibility to produce filtering, phasing, flanging, slap-back, ping-pong, and tempo sync modulation all in … On ad-libs or background vocals, feel free to switch those up, as those occur less frequently and can be a little weirder and more drastic. (This works pretty well with SmackAttack too). (I actually love the sound of 1/8 triplets on ad-lib delays. For a lead vocal, I would stick with simple time divisions for maximum clarity that pulses with the beat. Attack and release - set to taste \ groove of the song. These examples feature Abbey Road Plates, with the A Plate setting and the damper down around 2 to create a short decay time. Vocal Effects with Waves H-Delay. 3. Once again, we're using the same vocal sample as before, but we've changed the delay. Then just search for H-Delay on the site. With a 200 millisecond delay on one side and a 150 millisecond delay on the other you get a bigger and wider sound. Depending on the cadence of the vocal, that could be an 1/8 note, a 1/4 note, a 1/2 note, and so on. More on that later.) It is also in the top 20 most-used effect plugins among the Splice community. Set to MS, use a very short delay and feedback and LP filter at about 820hz. Hey, this is Jason from Behind The Speakers, and in just a minute I’m going to jump into my DAW and show you how to apply this powerful vocal delay trick to make your vocals … In this video, you’re going to discover a simple vocal delay trick that can make your vocals sit perfectly in any mix. The Waves H-Delay is one of my most frequented effect plugins because of its simplicity and ease of use. 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